Being There

"To see me as a person on screen would be one of the dullest experiences you could ever wish to experience" - quote from Peter Sellers.

Peter Sellers had many quotes like this in which he spoke of his near self-hatred, hated seeing himself, and that when he was not doing comedy, he was dull and unfunny. That makes his portrayal of Chauncey Gardner that much more amazing, because he portrays a very simple man totally comfortable within himself.

Being There is a great film. It deals with a simple premise - if you act in a certain way, people will make unquestioned assumptions about you. Chauncy is slow witted and has the mind of small child, and all that he knows in gardening. However, he dresses in nice suits, has impeccable manners and is not shy, so he is accepted into social circles. When he speaks of gardening, his ramblings are mistaken for metaphors and he is instantly considered an economic genius.

This is wrapped around a beautiful film, in which Chauncey wanders from one circumstance into another, never changing his demeanor, never faltering. I an reminded of Mr Magoo walking blindly down a succession of steel girders thinking they are stairs. Essentially, he is not in peril because he does not know he is in peril. The charm of this film exists in Chauncey's unwavering personality, and how it affects the world of phonies and bureaucrats he has come to inhabit.

Although the film sometimes comes across as forced, and some of the encounters with Eve (Shirley MacLaine) come off forced, the film is still a masterpiece. Its theme and Sellers' stunning performance lauch it into the catoegory of greatness.

There is much debate amongst the lovers of this film over its final scene. If you have not seen it, rent it, and draw your conclusions. Like many great movies steeped in mood and metaphor, we are left to draw our own conclusions.

The phrase "I like to watch" has become so famous from this movie - it refers to Chauncey's love for TV and the fact that it is his reference point for his existance. (Such has when he tries to click a remote to thwart off muggers). But there is a great deal more to Being There. It is a Top 10 Selection of 70s, Hal Ashby's best film and Peter Sellers greatest performance. **** out of ****.

Hal Ashby has to be one of the most under-appreciated directors there has ever been, and "Being There" is one of his many fine achievements. It has the benefit of fine source material adapted very well for the screen by the writer of the novel, Jerzy Kosinski, but Asbhy's fine work as director and Caleb Deschanel's brilliant cinematography, in addition to some fine editing and Peter Sellers' absolute best performance elevate this film from good tragicomedy to a minor masterpiece, and a criminally overlooked one, though not nearly as overlooked as Ashby's "Bound for Glory".

I liked "Being There" the first time I saw it, but like many truly great films I did not come to appreciate it fully until after a few more viewings, including a revelatory study in a film class of the shot composition in the film, which still astounds me. There are films where nearly every frame is beautiful, and "Being There" is one of those films.

As a piece of writing, the screenplay for "Being There", Kosinski's only film work, is surprisingly effective and does not suffer from any major flaws. The film, like the novel it is based on, moves at a natural, yet surprisingly swift pace and the film never plods. It is a joy to see the thematic content of "Being There" unfold so I won't go into any detail on that, but it is handled beautifully and the film has extraordinary depth.

This film is a beautiful, intelligent, good-natured look at human nature. It's a unique and special film that stands out as one of the best films ever made for its inventive editing, outstanding shot composition, fine photography, and especially its brilliant lead performance.

10/10

I was amazed after all those Pink Panther films, what a wonderful actor Peter Sellers was. This allows him to stretch himself. He is Chauncy Gardner, a man suddenly bereft of his existence, out on his own. His simplistic view of the world is based on the television that he watches endlessly when he is not doing his job. There is the wonderful scene where he is mugged and he uses his remote control to try to get rid of the muggers. The script gently moves him into a tremendous position of power he doesn't even understand, and yet it keeps him dignified, not a comic buffoon, as he may have been portrayed today. Even when the chariots come crashing down, he has that gentle soul. What we get with him is the genuine article and since he didn't know to exploit, he can't really be seen as anything but the soulful fellow he is. Excellent portrayal of a character.

Peter Sellers last and arguably his greatest performance. He died, aged 54, in 1980, the year the film was released. This is one of the best films I've seen in a long time. I taped it some time ago from television and recently saw it for the third time and it keeps fascinating me. The film has a beautiful dream-like atmosphere - dark, moody, absolutely mesmerizing! Many of the proceedings might be a little improbable but it shouldn't be viewed to rationally.

The plot is quite simple with Sellers playing the main character, Chance (or "Chauncey") Gardener, who becomes homeless, when the master of the house he lived in and for whom he maintained the garden, dies. He is a grown man with the mind of a small child who lead a cocoon-like existence during his whole life, isolated from the outside world. His sole interests are gardening and television, which he frequently expresses with "I like to watch". After a small accident with a limo, he winds up staying at the mansion of a rich tycoon (Melvyn Douglas) and his wife (Shirley Maclaine), who are close to the president. He befriends the couple and slowly becomes acquainted with the higher circles in Washington.

Because of his slowly mannered way of speaking, his politeness, neatness and impeccable dressing, he is somehow mistaken for some lost professor. In a hilarious meeting, when he first meets the president, he's asked for his opinion on the weak state of the nation's economy. Off course, he doesn't know anything about the subject, so he starts reflecting his visions upon gardening, "Spring and summer, fall and winter, it's all a cycle and everything starts to grow again", which are conceived as brilliant metaphors for explaining economic cycles. Chauncey Gardener is so disarming with his simplified views of life, he is celebrated as some kind of genius. His response to he question "What newspapers do you read?" is "I only watch TV", which instantly turns him into a hero for admitting he gets his information solely from television and in the eyes of the general public makes him the most honest man linked to The White House in a long time.

The reputation of this film has risen steadily over the last years and rightfully so. Jerzy Kosinski's novel is transferred to the screen into a dark (literally down-lit) and sombre comedy by director Hal Ashby, who managed to make an expertly paced film, consistent in tone and mood. The film boasts great performances by veteran Melvyn Douglas and Shirley Maclaine, who even does a masturbation scene! But it's Peter Sellers who enters the pantheon of the all-time legendary performances with a simply magnificent portrayal of Chance Gardener. For long this was his pet project and for over nine years he tried to get it filmed. When it was finally green-lighted, he painstakingly researched and prepared for the role. The voice in particular demanded his attention as he listened to his own voice on a tape recorder and endlessly compared one sound to another. Forget about comparing his role to Tom Hanks with "Forrest Gump", the other mindless observer of American society. It doesn't even come close. Tom Hanks got the Oscar but Peter Sellers gives his character an unmatched complexity in a far superior film, that if anyone should get the Oscar, he should (he was nominated, though).

Even after repeated viewings, it not only holds up, it reveals something new and adds a new layer. A rare achievement. In a few weeks time, I'm in North-Carolina and hopefully will manage to make a visit to Asheville and get a chance to visit the Biltmore Estate (the estate of the Vanderbilts), where most of the film was shot. A beautiful movie, something to behold.

Camera Obscura --- 10/10

The original "Forrest Gump" came out in 1979 when Hal Ashby's "Being There" was first released. A quietly brilliant, hilarious, heart-wrenching and heart-warming motion picture that showed how great Peter Sellers (Oscar-nominated) was and how limitless his range was. He stars as a gardener at an old mansion in Washington, D.C. who has never been outside of the owner's small piece of property. When the owner dies, he has to leave the only home he has ever known. Sellers has no knowledge of anything except what he sees on television and he has a strange sort of child-like innocence that endears him to all he comes into contact with. After a minor accident, Sellers is taken to the home of a ridiculously wealthy political lobbyist (Melvyn Douglas in his second Oscar-winning performance) who is literally being kept alive as he has a rare form of cancer. Douglas immediately takes a liking to Sellers and so does his much-younger wife (Shirley MacLaine). Sellers is now in the spotlight though as he gets to meet the president (Jack Warden) and slowly starts to gain popularity and political support from those around him. Of course Sellers does not realize any of this as his understanding of such things are beyond his somewhat limited mental capabilities. A simply brilliant film that is carried by Sellers' amazing personal best performance. Everyone else is adequate, but this is Sellers' show. Douglas won the Oscar mainly due to sympathy votes, but surprisingly Sellers would die before Douglas as he passed away less than six months after receiving his Oscar nod of a massive heart attack. As good as Dustin Hoffman was in "Kramer vs. Kramer", I still wish that Sellers would have won the Oscar for this role which is one of the finest performances ever throughout the entire history of the cinema. 5 stars out of 5.